Author Blog

  • Favourite Foote Photos: David Carr

    By U of M Press  |   0 Comments

    Posted on
    January 24th 2012
    at 9:42am

    As a part of our search for the ‘lost’ photographs of L.B. Foote, U of M Press is asking artists and historians and photographers and politicians and art historians and journalists to tell us about their favourite Foote photo. We’re documenting this search on a blog called Lost Foote Photos.

    David Carr, U of M Press’ director, contributed this piece about Foote’s photograph entitled Elks at the Promenade of Progress, September 1921:

    “It’s almost impossible to pick just one Foote photograph to write about. Foote had an enormous and diverse range and any single photo seems to ignore the many other themes and styles that weave through his fifty years of photo taking.

    Chose one of the great historical images (the North End slum photos for instance) and you seem to forget about the beautifully glossy portraits, such as the young Duke of Windsor standing, looking quite bored, next to a brilliantly polished black locomotive. Chose one of the portraits, and you‘re missing the powerful emotive images of ‘everyday’ family and private life.

    I’ve chosen a photo that doesn’t seem to have any of these characteristics. It’s a long, overhead shot of the Elks (Winnipeg Lodge No. 10) marching up Main Street as part of something called “The Promenade of Progress.” “Marching” is perhaps not the right way to describe a group of men dressed in white pants and beanies carrying striped umbrellas at the end of September, although its probably unfair to call it “sashaying” either. It is, nevertheless, one of those strikingly incongruous images that run through Foote’s work.

    It is this kind of photo, like the banquet in the sewer or the crew tasting the ice on the Red River, that always makes Foote seem like the artistic grandfather of Guy Maddin. What in the world could these men, dressed for some sort of odd Sunday outing, have to do with anyone’s idea of “progress?”

    But the date and place put this strange little parade into another context. The “Promenade” took place September 28, 1921. Just a little more than two years before, only a few hundred feet further north on Main Street, Winnipeg’s working class had tried its hand at a very different and much more serious movement towards progress. No one, of course, would have know this better than Foote himself, who had famously recorded those events of the 1919 General Strike in very nearly the same spot.

    Throughout the first part of the last century, this stretch of Main Street between the CNR Station and City Hall was the city’s ceremonial centre, certainly as chronicled by Foote himself. Every type of parade or procession went this route, and it may be adding too much symbolic weight to the crossing paths on Main Street of the strikers and the Elks. Nevertheless, its hard not to think that striped umbrellas and beanies in tight formation are exactly what Winnipeg’s city fathers thought was just what was needed to help erase memories of those nasty events two years before. And L.B. Foote was, as always, there to record it.”

  • Favourite Foote Photos: Jim Blanchard

    By U of M Press  |   1 Comment

    Posted on
    January 17th 2012
    at 3:35pm

    As a part of it’s search for the ‘lost’ photographs of L.B. Foote, U of M Press is asking artists and historians and photographers and politicians and art historians and journalists to tell us about their favourite Foote photo. We’re documenting this search on a blog called Lost Foote Photos

    Jim Blanchard, the author of two U of M Press titles, contributed this piece about Foote’s photograph of The Telegram newsroom:

    “This is one of my favourite Foote photos. It catches a group of newspaper employees in what I suppose is the newsroom of The Telegram newspaper in their building which still sits at the corner of Albert and McDermot.

    The Telegram newsroom

    The men are posing a little for Foote, maybe joking with him as someone from the rival daily. The big fellow on the left side of the table seems to be saying something that some of them think is funny. Some of the others are simply working. Their tools are paper pads and pencils, paste bottles and scissors, the latter on a chain so that everyone can share the same pair. There is phone in the left foreground but other than that there are no signs of modern equipment.

    Out of this room came, day after day, a fine newspaper with pages full of well-written, detailed reporting on what was going on in the city and out in the world. The quality of the writing was very high and if you browse through The Telegram – paper copies of The Telegram are still available at the Millennium Library – you’ll find very few errors in spelling or grammar.

    Many of the men in the picture may have been junior employees, like copy boys, who crowded in to get into the picture. But there are definitely a few ink-stained wretches here, men who look like they have been at it for quite a few years.

    It’s a lively, happy sort of picture that captures something of who these men really were and that’s why I like it.”

    Jim Blanchard is the Head of Reference Services at Elizabeth Dafoe Library at the University of Manitoba. He is the author of two award-winning UMP titles, Winnipeg 1912 (2005) and Winnipeg’s Great War: A City Comes of Age (2010). (Both titles included Foote photos.)

  • David Drummond on Louis Riel

    By U of M Press  |   0 Comments

    Posted on
    December 19th 2011
    at 9:21am

    David Drummond, of Salamander Hill Design based in Elgin, PQ, is one of University of Manitoba Press’ freelance graphic designers. Most recently, he’s designed the covers for Mark Anderson and Carmen Robertson’s Seeing Red: A History of Natives in Canadian Newspapers.

    For spring 2012, David was responsible for the covers of Larry Krotz’s Piecing the Puzzle: The Genesis of AIDS Research in Africa and UMP’s reprint of Jennifer Reid’s Louis Riel and the Creation of Modern Canada: Mythic Discourse and the Postcolonial State.

    David was kind enough to share a bit about his design process around the Louis Riel cover:

    “My goal with recent covers that I have been working on that deal with Canadian history is to up the ante and really make them look visually interesting. The covers I did recently for a two volume series on Darcy McGee are a case in point. We used high end production techniques to give them the aura of an ‘important book.’”

    “In the case of the Riel cover I wanted to avoid presenting archival photos in the usual fashion – duotones and sepiatones. I manipulated the archival image in Photoshop to give it an illustrative feel with lots of colour. This is not the typical way that figures from Canadian history are presented.”

  • Warming Winter Minds

    By Kim Anderson  |   0 Comments

    Posted on
    December 5th 2011
    at 10:20am

    Winter is a traditional storytelling time for Indigenous peoples living in North America. In the past, family members would spend their cold winter nights listening to Elders as they sat near the fire and told the stories that sustained the community. Some of these stories were every day stories, while others contained family and community laws and had strict protocols around the telling – but all contained lessons embedded in the multiple layers of meaning. Each community member, young or old took their own lesson out of the telling – lessons that would unfold and change over time.

    As an urban Cree/Metis mom & writer, running as fast as everyone else in this speedy 21st century world, I don’t have the benefit of sitting with teachers by the fireplace every night. But I do have Elders that I work with, as well as books of traditional knowledge that warm and sustain me. I have recently been working with Elders for an oral history project on Indigenous masculinities, and three of the men I have interviewed are also authors. Tom Porter, Dominique Rankin and Rene Meshake share stories from their respective traditions (Mohawk, Algonquin, and Ojibway) through books in English and French, although they integrate their Indigenous languages throughout as a way of furthering our understanding of Indigenous worldviews.

    Porter’s book, And Grandma Said…Iroquois Teachings as Passed Down Through the Oral Tradition (XLibris Corporation, 2008) is a compilation of transcribed speeches made by the Mohawk Elder over the many decades he has spent as a traditional teacher and knowledge keeper. If you have ever been to one of Tom’s lectures, you know you will be in for a treat – he is easily the best orator I have ever heard. As Lesley Forrester, the editor of the book points out, “I couldn’t remember a time when I had heard him speak, that I hadn’t both laughed and cried…” Kudos to Forrester, who has skilfully captured the way Porter delivers his lectures while making it all readable as a book.

    This book is history, cosmology, philosophy, linguistics, poetry, law – all wrapped up in stories so engaging that you forget how much you are learning. Porter has structured it around the history of the Iroquois according to their main teachings, starting with the creation story, the arrival of the clan system, the Four Sacred rituals and the Great Law, through the time of Karihwi:io (the prophet Handsome Lake) and moving into “modern disarray.” All of this material is interwoven with Porter’s own personal history, incorporating all the laughter and tears that has involved. There are some favourites here for those of us who are fans, such as a lecture on how to count from one to ten in Mohawk, in which Porter explains how the word for each number carries a story bundle that links back to the major events in Iroquois history. There are lessons for parents and future leaders in his material concerning childrearing and the connection to good governance. Porter points out that, “When you raise your children, you’re raising them in case they’re needed…. It’s not necessarily that you are doing that in order for them to become leaders, but so that there will be a lot to choose from. Just like when you plant corn, you don’t just plant one corn.” Porter’s book definitely plants a lot of seeds for the mind and spirit, and will be something that I will read again and again over the years.

    Dominique Rankin’s work also provides a riveting way of learning about Aboriginal history, worldview and lifeways. Co-written with Marie-Josee Tardif, Rankin’s book On nous appellait les sauvages: souvenirs et espoirs d’un chef hereditaire algonquin (Le jour, 2011) is an autobiographical work, structured around the framework of the Seven Fires Prophecy of the Anishinaabek, which provides a parallel for Rankin’s life. He begins with early history of his people, then takes us through the dark times of colonial interference, and out into the juncture of history we are currently at: that of lighting the “eighth fire.” Rankin describes spending his early childhood on the land in northern Quebec, and the devastating consequences of being taken away to residential school. His vivid descriptions give an insider’s look at the experiences of his people as they are forced to move into villages, and of his own path of having to struggle so that he could be the teacher, hereditary and medicine man that he is today. The book is beautifully written and so accessible – even with my limited high school French immersion skills, I found it easy to read. It is so rewarding to see history told from an Indigenous lens, and so needed.

    Rene Meshake shows us history and teachings through using story in a different way. Meshake has created a series of beautiful picture books about nine year-old “Giniw,” a boy growing up with his grandmother in Northwestern Ontario. There are more planned in the series, but the first three books, Blueberry Rapids, Moccasin Creek, and The Copper Axe provide plenty of teachings drawn from Meshake’s own life history, where the “old ladies” held plenty of authority and were respected for their knowledge in his traditional homeland community. Like Giniw, we can learn from the wisdom of Grandmother and the life lessons she shepherds us through. The books are written in Ojibway and English; like Porter and Rankin’s work, they allow us a glimpse at the teachings embedded in the words themselves, for Indigenous words and languages are like poetry – they carry story bundles waiting to be unwrapped. The illustrations in the books are paintings that Meshake, an accomplished artist, has done to accompany the stories.

    There is so much to be learned about the history and worldviews of Indigenous societies, even for an Indigenous scholar and writer like myself. If we can be entertained and enraptured by story along the way, all the sweeter! I have been lucky to work on oral history with these men, and am now delighted to see them in print so their words can reach wider audiences. I encourage readers to warm their winter minds and spirits with these books.

    Kim Anderson is the author of A Recognition of Being: Reconstructing Native Womanhood (Sumach/Canadian Scholar’s Press, 2000) and Life Stages and Native Women: Memory, Teachings and Story Medicine (University of Manitoba Press, 2011).

  • Dr. Carrie Bourassa responds to Life Stages and Native Women

    By U of M Press  |   0 Comments

    Posted on
    October 6th 2011
    at 1:42pm

    As part of the September 22 launch of Life Stages and Native Women at the Indigenous Peoples’ Health Research Centre at University of Regina, three people were asked to present responses to the book.

    Dr. Carrie Bourassa, who teaches in the Indigenous Health Studies Department at Regina’s First Nations University in addition to her role as Principal Investigator at IPHRC, presented on the health applications and implications of Kim’s research.

    “First of all, I want to thank you Kim, for writing this book. Like many others at the start of a busy semester I found myself overwhelmed and wondered how I was going to read this book and write a response in time … then I opened the book and the rest took care of itself. I literally could not put the book down. It was like I was reading the teachings I have been getting from my Kookum these past years. I knew I was truly blessed to be receiving these teachings and had been wondering how they could be shared … I need not wonder any longer. Your words leapt off the page. I was giddy grabbing my little sticky notes and marking up the pages with exclamation points and writing YES! YES! YES! This book is long overdue and will be a tremendous contribution to academia and to our communities. This book will help advance the reclamation of Indigenous women’s identities in Canada, dispel myths and assist with the decolonization process that was started by the strong women and men you interviewed and speak of in your book. Moreover, as a health educator, the book contains valuable traditional knowledge regarding prenatal care, the role of men during pregnancy, midwifery practices, child rearing practices, moon time and rites of passage – and so much more that can be incorporated into the curriculum that I deliver to nursing and other health studies students every day.

    I could talk about how I am going to do that but I felt compelled instead to speak about the goal of Kim’s book … “how it can contribute to the further healing and decolonization of our communities” (p. 161). Kim notes that “Health, as it is understood among Algonquian and other Indigenous peoples, includes physical, mental, emotional and spiritual dimensions and health is also something that is not individual but collective. We are thus only as healthy as are all our relations in all dimensions.” (p. 167). Maria adds that “Health and well-being were contingent on how well one managed relations, all of one’s relations, including those with the human community, the land and the spirit world” (p. 167-8). In addition, “Relationships between Elders and children were considered critical in terms of maintaining the life force and survival of the people”. (p. 168). Earlier, Kim states: “How the quest for individual identity and spirit is connected is something that is worthy of further consideration; particularly how the process works for girls and women”. I would like to expand on these concepts and support Kim’s argument for the need for this but also illustrate that when this happens, much healing on many levels for many people can take place.

    My Kookum, Elder Betty McKenna, is Anishnabe and she has blessed my family with many teachings. Her Oskapios is my uncle and is my daughter Victoria’s great-uncle. His wife is her great-aunt. I never had the opportunity to have the ceremonies and the teachings that I should have received. As Kim notes, it is hard to access these in an increasingly urbanized setting but also, as she points out, after years of inter-generational trauma, many of these teachings are lost. Digging up medicines is indeed exactly what is needed. Victoria had her first moon time a year ago and Kookum put her into a berry fast on the night of a full moon ceremony. She was lovingly surrounded by a community of women who would support her for that year. The berry fast would teach her about self-restraint and self-discipline. It was a good thing too since I often forgot and would make blueberry muffins and offer them to her! She did the fast for a year and never wavered. She was given many teachings about her identity as a woman, she was given plates, a cup, utensils to eat from when she was on her time and teachings about what it was to become a woman and how powerful she was on her time. She was told how to wash herself and bathe in a special way to drain the body’s lymphatic system … p. 91 … the words literally leapt off the page!! Her hands and feet were painted with ocre and her imprints put onto birch bark. These were to be kept by her father until she got married at which time they would be burned in the sacred fire. This August Kookum brought Victoria out of her berry fast … she is turning 13 and is now going into the rapids of life … those 7 sacred years where she will need the support and love her community and kin in order to emerge from those waters. She needs good stones to cling to while she is in the rapids and it is our job as kin and community to provide those stones or teachings: growth, order, adequacy, love, social approval, security and self-esteem. Her great uncle and great aunt have particular roles to play in supporting her. She spends time with them getting teachings – teaching she does not even realize she is getting. Her father too was tasked with a special role in supporting her. When we had her sweat to bring her out of her fast the community was there to support her.

    As Kim has documented these relationships between individual and community health are central. They have been central not only to my daughter’s health but also to my health and growth as an Indigenous woman. To my husband’s health … to the entire communities’ health. It has created bonds and ties that we never imagined we would have. When Jane talks on p. 176 about collective healing, this is what digging up the medicines can mean. This reclamation of our identities is absolutely central and it has to be not only an individual reclamation but a collective reclamation. There most definitely is a spiritual aspect to the teachings that are imparted to the young women … they may not be documented yet but it is there. My daughter has her spiritual name, she takes pride in herself, she values ceremony and the role it plays in her life. While this may not be documented historically, or was interrupted, I think this was absolutely a strong aspect of the teachings.

    So Kim, I think you have achieved a great deal with this book and again, I thank you for this incredible work. I believe the teachings are coming back, identities are being reclaimed, healing is coming to our communities and your book will only assist in the processes that are underway.”

    UMP would like to thank Carrie for sharing this material with us.