Books – Art & Architecture
Life and Landscape in Saskatchewan’s Oil Economy
Documenting a moment of transition.
Art and the Colonial Narrative in the Canadian Media
Who was Norval Morrisseau?
An Artist’s Destiny, 1894-1992
A rich artistic talent beautifully presented in this full-colour study.
History through the Photographs of L.B. Foote
In an expanding and socially fractious early twentieth-century Winnipeg, Lewis Benjamin Foote (1873-1957) rose to become the city’s pre-eminent commercial photographer. Imagining Winnipeg, prepared and introduced by award-winning historian Esyllt W. Jones, collects 150 Foote photographs from the more than 2,000 images in the Archives of Manitoba Foote Collection and challenges our understanding of visual history and the city we thought we knew.
Images from the Sixties Generation
All Our Changes is a stunning collection of 160 black and white photographs taken between 1968 and 1970. These images capture the innocence and earnestness of the early Canadian hippie movement, from political protests and speakers’ corners, to Festival Express and the Mariposa Folk Festival. Joni Mitchell is here, as are the Guess Who, but so are everyday kids hitching rides, hanging out, and, one by one, forever changing the Canadian political and cultural landscape.
Photographs by John Paskievich
Winnipeg’s North End has informed the Canadian mythology and influenced the national psyche. The North End also divides and defines the city of Winnipeg, shaping its politics and sense of identity. In these photographs, taken between the mid-1970s and the mid-1990s, John Paskievich set out to explore the North End he knew in his youth.
Architecture, 1945 to 1975
Winnipeg Modern captures the grace and beauty of the Modernist period and includes critical and historical essays on the aesthetic and social project of Modernist architecture in Winnipeg. Lavishly illustrated with 300 photographs from provincial archives, the private archives of architect Henry Kalen, and contemporary photographer Martin Tessler, this book is a testament to the Modernist principles of structural expression and purity of form.
This volume is a history in words and illustration of the early years of the Winnipeg School of Art, its hopes and ideals and its struggles for survival. Its story is in large part a record of art and artists in Winnipeg during the period. The growth of the School is described through the terms of its first four principals: Alexander Musgrove, Frank Johnston, Keith Gebbhardt, and L. LeMoine Fitzgerald. Biographical sketches on artists involved with the School as teachers or students from 1913 to 1934 are also included.