Women, Land, and the Spadework of British Colonialism on the Canadian Prairies
Sarah Carter’s Imperial Plots: Women, Land, and the Spadework of British Colonialism on the Canadian Prairies examines the goals, aspirations, and challenges met by women who sought land of their own.
Supporters of British women homesteaders argued they would contribute to the “spade-work” of the Empire through their imperial plots, replacing foreign settlers and relieving Britain of its “surplus” women. Yet far into the twentieth century there was persistent opposition to the idea that women could or should farm: British women were to be exemplars of an idealized white femininity, not toiling in the fields. In Canada, heated debates about women farmers touched on issues of ethnicity, race, gender, class, and nation.
Despite legal and cultural obstacles and discrimination, British women did acquire land as homesteaders, farmers, ranchers, and speculators on the Canadian prairies. They participated in the project of dispossessing Indigenous people. Their complicity was, however, ambiguous and restricted because they were excluded from the power and privileges of their male counterparts.
Imperial Plots depicts the female farmers and ranchers of the prairies, from the Indigenous women agriculturalists of the Plains to the array of women who resolved to work on the land in the first decades of the twentieth century.
- WINNER, Sir John A. Macdonald Prize, Canadian Historical Association (2017)
- WINNER, Clio (Prairie), Canadian Historical Association (2017)
- WINNER, Gita Chaudhuri Prize, Western Association of Women Historians (2017)
- FINALIST, Wilson Book Prize, Wilson Institute (2017)
- FINALIST, Stubbendieck Great Plains Distinguished Book Prize, Center for Great Plains Studies (2017)
“Carter shows how history can be well documented, provocative, and entertaining.”
– Publishers Weekly, starred review (Link)
“This book explains the formation of the Canadian West as a British-Canadian colony and reveals how homesteading denied property rights to women. Throughout, it offers incisive reconsiderations of what it means to be ‘Canadian,’ demonstrating that gender, race, and property have been central to the making of this country. Carter effectively moves from the macro level of national and imperial visions to the micro level of particular women. While none should be surprised that imperialism was central to the colonization of western Indigenous lands, Carter exposes just how far Canadian policymakers went to exclude married women from enjoying a right to property. By offering comparisons with the American west, we learn that the strength of this opposition was peculiarly Canadian. Indeed, before and after contact, Indigenous women were the farmers of the Great Plains. Yet after prairie reserves were established, Indigenous women were limited to kitchen gardens while white men assumed their place on the land. Imperial Plots covers the late 19th and early 20th centuries and crosses provincial and national boundaries. Sarah Carter makes a strong contribution to our understanding of Canada’s emergence as a country, illuminating ongoing struggles around gender equality, Indigenous rights, and humans’ relationships with their natural environments.”
– Jury, Sir John A. Macdonald Prize, Canadian Historical Association
“With Imperial Plots, Carter continues the ongoing efforts to reconceptualize the prairie west in the last decades of the nineteenth-century and the first decades of the twentieth-century. By putting the experience of Indigenous peoples and women at the centre of the story, Carter destabilizes longstanding images of a progressive, peaceful and egalitarian Canadian west.”
– Adele Perry, Professor, Department of History, University of Manitoba
“In Imperial Plots, Sarah Carter continues her important research agenda of reframing the history of western settlement from the viewpoints of those excluded from the dominant historical narrative. “
– Katherine M. J. McKenna, The University of Western Ontario, Histoire sociale/Social History
“Imperial Plots provides a valuable correction to the masculinist lens through which prairie history is so often viewed.”
– Penni Mitchell, Canada’s History
“This book is more than a tribute to pioneer women and a lament for lost opportunities. The present keeps peering at us through the past. Then, as now, lines drawn on maps — be they borders or homestead boundaries — determine who will and won’t have access to the resources of this world. Too much of humanity’s always-limited intelligence is devoted to plotting out the reasons why some people deserve to be one side of the line and some on the other.”
– Doug Smith, Winnipeg Free Press
“Sarah Carter’s ambitious study of British women’s empire building on the Canadian plains takes a truly multi-national approach to questions of women’s place on the land, dealing as it does with policies and ideologies in Britain, Canada, the U.S., and elsewhere. It does an impressive job of examining the concept of ‘whiteness,’ and it appropriately fits the spirit of the Chaudhuri award, focusing as it does specifically on ‘WOMEN in rural environments.’”
– Judging Committee, Gita Chaudhuri Prize, Western Association of Women Historians.
“Imperial Plots showcases the skill of Carter’s historical storytelling in spades.”
– Sean Carleton, CHA Reads, Unwritten Histories (Link)
“Historian Carter traces this history of a racialized and gendered landscape, which included her own ancestors in southwest Manitoba, from the 1870s to the 1930s.”
– S.D. Reschly, Truman State University, CHOICE
“An exhaustively researched book highlighting the many ways female settlers in the Canadian West worked to acquire land within a system that discouraged it. It is a strong addition to the historiography of prairie settlement especially in terms of gendered roles in settlement.”
– Laura Larsen, Western Historical Quarterly
About the Author
Sarah Carter FRSC is Professor and Henry Marshall Tory Chair in the Department of History and Classics and the Faculty of Native Studies at the University of Alberta.