Books

Legends of the Capilano updates E. Pauline Johnson’s 1911 classic Legends of Vancouver, restoring Johnson’s intended title for the first time, and celebrating the storytelling abilities of Johnson’s Skwxwú7mesh (Squamish) collaborators, Joe and Mary Capilano.

Baskatawang envisions a hopeful future for Indigenous nations where their traditional laws are formally recognized and affirmed by the governments of Canada. Baskatawang thereby details the efforts being made in Treaty #3 territory to revitalize and codify the Anishinaabe education law, kinamaadiwin inaakonigewin.

Both a deep dive into the life of an internationally renowned institution and an exploration of the growth of an experimental film movement, this collection of interviews produces a vibrant picture of the Winnipeg Film Group’s origins, successes, failures, and ongoing impact.

Throughout her remarkable career as a gallery director, curator, and author, Patricia Bovey has been a tireless champion for the work of Canadian artists. Western Voices in Canadian Art brings this lifelong passion to a crescendo, delivering the most ambitious survey of Western Canadian art to date.

Joan Scottie's I Will Live for Both of Us is a reflection on recent political and environmental history and a call for a future in which Inuit traditional laws and values are respected and upheld.

Lives Lived, Lives Imagined is a timely examination of Miriam Toews’s oeuvre and a celebration of fiction’s ability to simultaneously embody compassion and anger, joy and sadness, and to brave the personal and communal oppressions of politics, religion, family, society, and mental illness.

Aboriginal™ explores the origins, meaning, and usage of the term “Aboriginal” and its displacement by the word “Indigenous.” More than legal vernacular, the term has had real-world consequences for the people it defined. Adese offers insight into Indigenous-Canada relations and Indigenous identity, authenticity, and agency.

Canada’s most famous example of class conflict, the Winnipeg General Strike, redefined conversations around class, politics, region, ethnicity, and gender. For a Better World interrogates types of commemoration, current legacies of the Strike, and its ongoing influence.

The first major oral history project dedicated to the stories of Ugandan Asian refugees in Canada, Gifts from Amin explores the historical context of their 1972 expulsion from Uganda, the multiple motivations behind Canada’s decision to admit them, and their resilience over the past fifty years.

Recipes and Reciprocity considers the ways that food and research intersect for researchers, participants, and communities, demonstrating how everyday acts around food preparation, consumption, and sharing can enable unexpected approaches to reciprocal research and fuel relationships across cultures, generations, and places.

As COVID lays bare social inequities and the inadequacies of health care delivery and public health, Medicare's Histories shows what was excluded and what was—and is—possible in health care.

Examining what it means to relate whole worlds across the boundaries of language, culture, and history, Exactly What I Said offers an accessible, engaging reflection on respectful and responsible translation and collaboration.

In Our Backyard tells the story of the Keeyask dam and accompanying development on the Nelson River from the perspective of Indigenous peoples, academics, scientists, and regulators.

The Arts of Indigenous Health and Well-Being demonstrates the healing possibilities of Indigenous works of art, literature, film, and music from a diversity of Indigenous peoples and arts traditions.

A comparative world-scale environmental history, Mennonite Farmers is a pioneering work that brings faith into conversation with the land in distinctive ways.

Returning to Ceremony is the follow-up to Chantal Fiola’s award-winning Rekindling the Sacred Fire and continues her ground-breaking examination of Métis spirituality. Among the Métis, Fiola asserts, spirituality exists on a continuum of Indigenous and Christian traditions, and Métis spirituality includes ceremonies.

Dadibaajim examines that history of encroaching settlement and dispossession as it reasserts the voices and presence of the Namegosibii Anishinaabeg too long ignored for the convenience of settler society.

Undressed Toronto challenges assumptions about class, the urban environment, and the presentation of the naked body in five Toronto environments.